There is a modal sentence called the Balcan principle. One part is the Balcan sentence ( (∀x) NPx → N(∀x) Px): N is necessity, P is existence) which means “if Word Q exists, Q already exists” to the model structure MQ ＜K,R,D＞（K is a non-empty set of ‘possible world’, R is thea reflexive relation with K, and D is the domain of individuality）and is the statement that dispels the creation from nothingness out of nowhere.
When the nothingness of Kawabata intersects with love, it sublates. In other words, it already exists and does so in future. Considering this, existing nothingness can adjust with the Balcan principle and the combination of “nothingness and creation” becomes possible. But what is it in terms of a scientific approach? To resolve the problem, I define Kawabata’s creation as the ideal form composed of theorem and formula, and see the characters as artificial and deformed processing.
Hanamura（2019）explains that facial expressions show human character and the mental state or physiological state of human beings. Character is used to evaluate character physiognomically and psychology, and physiology uses the facial information to understand the other person and physical condition. The creation by Kawabata also tries to set the ideal type and to form the character including artificial abnormality.
Moreover, artificial feelings are applied to create a photomontage of police.
花村嘉英（2019）「川端康成の『雪国』から見えてくるシナジーのメタファーとは－無と創造から目的達成型の認知発達へ」より translated by Yoshihisa Hanamura