Lu Xun’s style is calm and unhurried and he mostly wrote short stories and essays. I interpreted “A madman’s diary” and “The true story of Ah Q” as “memory and ma-ma-hu-hu.” I repeated the analysis and the generation of the L structure for a scene to approach the generative image “memory and chaos.” I see unpredictable behavior in a state of disorder as “ma-ma-hu-hu” (non-linearity) and the transition from the approximate input of Ah Q pulled around the town and the cart driver to an entirely different output (indeterminate).
Ogai Mori wrote his historical fiction in a colloquial style after the deaths of the Meiji Emperor and General Maresuke Mogi. History romans are divided into inducement and emergence. For example, the reading brain of “Sansho the Bailiff” of Ogai Mori is inducement and the reading brain of “Jingoro Sahashi” is emergence. I combined the emotions of inducement + emergence into a single feeling and added to this the sense of respect as translated into behavior. This construct I named is the writing brain of Ogai Mori. I then merged the reading and writing brain of the author and used variations to deal with the relational database.
When I compare these three authors by utilizing the L format, it becomes clear that the works of fiction discussed above include medical information. Therefore, the standard reading that an author would deliver to a reader leads to a synergic metaphor by looking for a signal with the combination of “language and medicine” that is passed within the brain.
花村嘉英訳（2018）「シナジーのメタファーの作り方」より translated by Yoshihisa Hanamura