Excerpt from database
Training of Shamisen
A When Komako started playing the third song “Miyakodori”, Shimamura had no goose bumps and saw her face warmly and peacefully because the song was very soft. Her feelings were deep and physical.
Nothingness & creation 1, 1
（five sens）infomatic cognition 1 & facial expression (1＋2) 2, 11
Artificial feelings & cognition development 1, 2
B Thin high nose seems to indicate some loneliness, but cheeks were vividly flushed, and seemed to be whispering as if I was here.
Nothingness & creation 1, 1
（five sens）infomatic cognition 1 & facial expression (1) 1, 3
Artificial feelings & cognition development 1, 2
C Beautiful moist puckered lips move in the light and even if she opens her mouth, it shrinks the lily soon, therefore it seems similar to her bodily charm.
Nothingness & creation 1, 1
（five sens）infomatic cognition 1 & facial expression (2) 1, 4
Artificial feelings & cognition development 1, 2
D Bare skin that has no powder and is translucent by liquor trade and is dyed by mountain color and hides bulbs like lily or onion looks well up to her neck and seems very clean.
Nothingness & creation 1, 1
（five sens）infomatic cognition 1 & facial expression (1) 1, 10
Artificial feelings & cognition development 2, 2
E She sat up and held herself ready, but looked unusually as a girl. At the end she played a new song “Urashima” in rehearsal from the music and Komako tucked string under the thread silently and broke her body.
Nothingness & creation 2, 1
（five sens）infomatic cognition 1 & facial expression (1＋2) 2, 11
Artificial feelings & cognition development
花村嘉英（2019）「川端康成の『雪国』から見えてくるシナジーのメタファーとは－無と創造から目的達成型の認知発達へ」より translated by Yoshihisa Hanamura