Feelings are divided into instantaneous emotion and continual awe, and emotion can be classified into internal emergence and external inducement. Feelings are supposed to combine with behavior, and when I analyzed “Sansho the Bailiff” and “Jingoro Sahashi” of Ogai Mori, I explained how to make the synergic metaphor of “Ogai and feelings” (Hanamura 2017). Facial expressions get stimulated from five senses, therefore they are induced. But if repressed feelings appear for some reason, the feelings emerge.
This paper explains the issue of whether the output of “nothingness and creation” of the reading brain can reach its objective or not. Moreover, I set facial expression as the second column of informative cognition 1 to combine with artificial feelings and I derive the formula (1).
（1）“nothingness and creation”（the output of the reading brain）
“（five senses）informative cognition 1 and facial expression”
“artificial feelings”
“cognitive development”
Where I can confirm （1）, the synergic metaphor of “Yasunari Kawabata and cognitive development” will come into effect.
Hanamura （2019）explains that “nothingness and creation” appears in the analysis of the language of modal quantity logic and the model structure.
There is a modal sentence called the Balcan principle. One part is the Balcan sentence ( (∀x) NPx → N(∀x) Px): N is necessity, P is existence) which means “if Word Q exists, Q already exists” to the model structure MQ ＜K,R,D＞（K is a non-empty set of ‘possible world’, R is thea reflexive relation with K, and D is the domain of individuality）and is the statement that dispels the creation from nothingness out of nowhere.
When hen the nothingness of Kawabata intersects with love, it sublates. In other words, it already exists and does so in future. Considering this, existing nothingness can adjust with the Balcan principle and the combination of “nothingness and creation” becomes possible. But what is it in terms of a scientific approach? To resolve the problem, I define Kawabata’s creation as the ideal form composed of theorem and formula, and see the characters as artificial and deformed processing.
Hanamura（2019）explains that facial expressions show human character and the mental state or physiological state of human beings. Character is used to evaluate character physiognomically and psychology, and physiology uses the facial information to understand the other person and physical condition. The creation by Kawabata also tries to set the ideal type and to form the character including artificial abnormality.
Moreover, artificial feelings are applied to create a photomontage of police.
花村嘉英（2019）「川端康成の『雪国』から見えてくるシナジーのメタファーとは－無と創造から目的達成型の認知発達へ」より translated by Yoshihisa Hanamura